The increasingly popular use of animation in documentary and non-fiction filmmaking will be examined in this panel discussion sponsored by the New Media Council of the Producers Guild of America East and the New York Film/Video Arts Council.
Producers, directors and animators will show clips and discuss a range of projects, explaining how and why they chose to use animation, the positives and negatives in terms of time, budget and skill sets, and the artistic or interpretive contributions animation can bring to a project.
JOAO AMORIM is a Brazilian director focusing on animation and documentary filmmaking. He is currently represented by Curious Pictures, New York. Joao has worked worldwide as an industrial designer, animator, and Animation Supervisor for many years prior to directing. He was the Animation Director for “Chicago 10?, Brett Morgen’s feature doc. that opened Sundance 2007. He has also directed commercials for BMW, Panasonic, Oceana, among others. He is currently working on ?2012, Time for change?, his first feature documentary, highlighting ideas on sustainability and consciousness.
BARBARA ATTIE and JANET GOLDWATER have worked collaboratively since 1990 making widely acclaimed documentaries that have been broadcast nationally and internationally. In 2005 they were awarded the prestigious Pew Fellowship in the Arts. Their newest documentary, currently in post-production, is Mrs. Goundo?s Daughter, about a Malian mother?s fight for asylum in the U.S. to protect her two-year old daughter from female genital cutting/mutilation.
LISA CRAFTS is an animator whose work is characterized by richly rendered imagery and a quietly quirky sensibility. Her independent animated films have ranged from a meditation on the role creativity plays in the survival of the human spirit, to a funky romp through the land of human sexuality. These works have been shown in Europe, Asia, and throughout North America. In addition to animated films, Crafts also paints quietly disturbing psychological landscapes which capture the dreamlike dissonance of the American roadside.
LUCIEN HARRIOT Is founder, director and visual effects supervisor of Mechanism Digital, a full-service production resource in NYC specializing in digital production. 2D/3D animation, visual effects, broadcast design, and green screen shoots. Mechanism’s work ranges from commercial to entertainment; their award-winning team of artists, directors, and producers write, design, storyboard, shoot, animate, edit, and integrate visual effects for film, television and new media.
CINDY KLEINE is a film and video artist whose prolific career began when she was an undergraduate at The Museum School and at the legendary (and long-gone) MIT Film/Video Section, studying with Richard Leacock and Ed Pincus, and among a legion of future filmmakers in the program, including Ross McElwee, Robb Moss and John Gianvito. In line with Boston peers, Kleine has developed a central body of documentary work which are family dramas: camera visits with her grandmother and her sister, and intense probes of her parents? fifty-nine years of a dubious, fractured marriage. Additionally, Kleine has gone outside of family for films about odd artists and off-the-wall musicians; and she?s gone inside herself for some deeply personal, poetically framed psychodramas about love lost, the spirit gained.
MARK MARABELLA is an EmmyÆ nominated executive producer and founder of Marabella Productions. His award-winning, independent production company specializes primarily in current affairs, history, and science programming for Discovery Channel, History Channel, National Geographic Channel and PBS. Mark has more than 15 years experience developing, writing, producing, and directing over 90 hours of factual series and specials that have aired in nearly 100 countries. Prior to founding Marabella Productions, Mark was the series producer and writer of 60 hours of The Discovery Channel’s top-rated prime-time series THE FBI FILES for three and half seasons.
The event will be introduced by documentary filmmaker Howard Weinberg of the Film/Video Council and moderated by digital media producer Trilby Schreiber of the PGA New Media Council East.